Ivan Fedele: Music Project 2011
Unlike our musical “fathers”, who had a positivistic vision of music and history of music, so that every novelty strives for cancelling previous or alternative trends, we have to search for a higher synthesis today. Which in my opinion can be found in a “geological” conception of history. The composer sits on a deeply stratified ground: I can dig into history and draw Sixteenth century’ counterpoint out, which in the contact with contemporary air tarnishes and crumbles, assuming a new sense. This is, in my opinion, the meaning of a healthy relationship with history. No surprise that the growth reaching high of a plant be proportional to soil’s fertility and depth of roots. (Ivan Fedele)
For the fifth edition of its Progetto Musica, Fondazione Banna relies on the collaboration of an exceptional tutor, Ivan Fedele, who presents his new work Morolòja kài Erotikà for soprano voice and string quartet, commissioned by Accademia Filarmonica Romana and premiered in Teatro Argentina in Rome on 5th May. Also the two young composers, Raffaele Grimaldi (Anti-Diotima) and Eric Maestri (Celestografia) write for the same formation (interpreters are soprano Valentina Coladonato and Quartetto Prometeo). The programme of the concert which concludes the workhop includes also the Quartet op. 95 “Serioso” by Ludwig van Beethoven.